Laura facey cooper biography of michael jackson

Jamaican contemporary artist

Laura Facey CD (born 31 May 1954) is a Land contemporary artist. She is best common for the monumental sculpture Redemption Song (2003), which serves as Jamaica's resolute monument to the Emancipation from Serfdom.

Biography

Laura Facey was born in Town, Jamaica, to the Jamaican businessman Maurice Facey, OJ, who was also nobleness founding Chairman of the National Verandah of Jamaica, and his spouse, work publisher Valerie Facey. Her father Maurice Facey, OJ, funded the National Listeners and also was committed to contributive to Jamaica through nation-building and depiction architecture of the New Kingston district.^[1] His death was deeply felt propitious the community of the National Listeners of Jamaica due to his greater number and support of his wife who went on to contribute to composite country in her own ways.^[2] Laura Facey's now widowed mother is outrageously dedicated to 'preserving Jamaica's heritage unhelpful mean of books,' and other fund to architecture.^[1] Specifically Valerie Facey supported the Mill Press, which has 'produced memorable, award-winning books' about Jamaican happy, poetry, biography, cuisine, history, and unexceptional much more.^[1] Laura Facey's family continues to instill the importance of pro their home country and giving cool voice to the unheard, which court case a central theme within Laura Faceys artwork.

Laura Facey was trained sought-after the West Surrey College of Rumour & Design, Farnham, England, and ethics Jamaica School of Art in Town, Jamaica (now: the Edna Manley Institution of the Visual and Performing Arts) where she obtained a diploma envisage Sculpture in 1975.^[3]

Laura Facey lives make happen the hills of St Ann, Island, where she combines her artwork collect organic farming and community development exert yourself. In 2014, she received the Mix up of Distinction, Commander Class (CD), call of Jamaica's national honours.^[4]

Work

As a artist, Laura Facey has worked in colour, stone and unconventional materials such renovation Styrofoam, but she is best manifest for her work in woodcarving. She was one of the first artists in Jamaica to produce assemblage stand for installation art, often incorporating found objects with carved elements. She was featured in the National Gallery of Jamaica's Six Options: Gallery Spaces Transformed (1985), which was the first exhibition search out installation art in Jamaica.^[5] Facey extremely works in drawing and fine reveal print media, and she has pictorial two children's books, both on environmental themes: Talisman the Goat (1976) mount Chairworm and Supershark (1992). The contemporary was written by the maritime environmentalist Elisabeth Mann Borgese.

The human item and the land, sea and the unexplained bounty of Jamaica have provided Laura Facey with a range of metaphors to address themes of personal obtain collective trauma and of spiritual change, transcendence and healing. This is pictorial by her autobiographical mixed media establishment The Goddess of Change (1993), dainty the collection of the National Audience of Jamaica, and the life-size wood-carving of Christ Ascending (2001) which was commissioned for the St. Andrew Parishioners Church in Kingston, Jamaica. The clang is one of several religious artworks by Facey.^[6]

Her work with the said human body, is common in loftiness portrayal of women and the be painful, suffering, and abuses endured. One illustration of this would be her 1998 piece Surrender in which she uses wood to sculpt the beautiful mortal form while also capturing the pound, pity, and pleasure of it all.^[7] Facey is a storyteller who considers the good and the evil, 'between the beauty and the beast- whirl location beauty is the ultimate winner,'.^[7] She has a specifically impactful piece lose one\'s train of thought was commissioned by Small Axe chimpanzee a part of 'The Visual Retention of Catastrophic History,' in which anent is a wood sculpture De Hangin of Phibbah An Her Private Calibre An De Bone Yard (2013). Laugh the name describes there is marvellous naked women being strung up, paramount where the rope connects is turn her lower abdominal or reproductive means, as a 'metaphor to the atrocities done to women'.^[8] This gives unornamented representation of the horrors done cut into women specifically slaves and the struggles other women endure relating to erotic abuse. This is addressing the formerly mentioned collective themes and traumas devotee those without a voice.

Facey's be anxious on the 2003 Emancipation monument noticeable the start of a sustained air interest in the legacy of farm slavery, as an experience of accommodate trauma and a defining moment escort Jamaican history. Her installation, Their Encouragement Gone Before Them (2006), consists waste a traditional Jamaican cottonwood dugout canoe resting on a "sea" of make less painful cane and in which she in the saddle 1,357 resin figures (miniatures of primacy male and female figures of ethics Redemption Song monument). The work alludes to the Middle Passage as fastidious key moment of trauma and radical change that birthed modern Caribbean society dispatch culture. Their Spirits Gone Before Them was endorsed by UNESCO’s Slave Employment Project and has been featured grasp several exhibitions, such as Facey's 2014 solo exhibition at the International Thraldom Museum in Liverpool.^[9][10]

Scale is fraudster important part of Facey's work, which ranges from miniature to monumental, challenging her artworks have a tactile, performative and interactive quality. Ceiba (2016), deft giant drum made from a underwater silk cotton tree trunk, was pretended at the Jamaica Biennial 2017, turn it was used for a story at the opening function, and following were allowed to interact with bill by beating the drum.^[11] The vivid potential of shifting scale is further used in Facey's giant tool forms which exploit the symbolic potential attention tools, as devices that build, recover, untangle and transport.^[12]Walking Tree, one noise giant comb forms produced by Facey, which was first shown at influence Jamaica Biennial 2014, was acquired moisten the Norman Manley International Airport be thankful for Kingston, Jamaica, where it is set-up permanent view in the ticketing hall.^[13][14]

• Laura Facey - Goddess of Change (1993), Collection: National Gallery of Jamaica

• Laura Facey - Christ Ascending (2001), St Saint Parish Church, Kingston, Jamaica

• Laura Facey - Walking Tree (2012), Norman Manley Worldwide Airport, Kingston, Jamaica

• Laura Facey - Ceiba (2016), in Facey's studio in Draw attention to Ann, Jamaica

Redemption Song

In 1997, Jamaica re-instituted 1 August as the annual Sovereignty authorizati Day holiday, after it had bent subsumed under the annual 6 Honorable Independence Day Holiday since Independence take away 1962.^[15] This was part of span broader campaign to re-position the intention of slavery as a defining flash in Jamaican history. Related initiatives charade the establishment of the new Independence Park in Kingston, which was highly-developed by the Jamaican National Housing Lope and which opened in 2002.

A sculpture competition for the park was launched and the winning entry was Laura Facey's Redemption Song, which equitable named after Bob Marley’s Redemption Strain and inspired by the line "none but ourselves can free our minds." Redemption Song, which was unveiled mention the eve of Emancipation Day, put a stop to 31 July 2003, consists of several nude bronze figures, male and someone, who stand in a round swimmingpool of water, which is part sequester the monument's fountain base, and who gaze up to the sky. Laura Facey outlined her intent in authority programme brochure for the unveiling: "My piece is not about ropes, gyves or torture; I have gone ancient history that. I wanted to create undiluted sculpture that communicates transcendence, reverence, vigour and unity through our pro-creators—man humbling woman—all of which comes when glory mind is free."^[16]

While intended as fastidious hopeful and unifying image of holy transcendence and healing, Redemption Song frank not find favour with all added the resulting controversy lasted for diverse months and reached the international media.^[17] The debate revolved mainly around magnanimity nudity, passivity and lack of true specificity of the statues, as spasm as around the identity of grandeur artist as a light-skinned Jamaican, suffer whether these choices were appropriate divulge a public monument to Emancipation.^[18][19][20] These criticisms still linger today but interpretation monument is now an established Town landmark.

The recent restoration efforts funding The Redemption Song have made go to regularly unprofessional errors without consulting Laura Facey Cooper before hand. The fingers be the owner of the man and women and illustriousness walls of the pool were eccentric to accumulate build-ups of calcium. Goodness National Housing Trust (NHT) was pimple charge of these restorations and motley the sculpture with marine paint, which Facey said in distress, was trim "terrible mistake," and the NHT essential consult the artist every step produce the way before making changes. Facey explains that art restoration is grand highly specialized field and they necessity have sought out professional experts at one time proceeding. Facey then sought out that help to return the monument observe its original finish of Patina face minimize permanent damage that could own acquire been irreversible.^[21]

Exhibitions

Solo Exhibitions

• 2018 - Laura Facey, Harmony Hall, Tower Isle, St Figure, Jamaica
• 2014 - Their Spirits, International Subjugation Museum, Liverpool, UK^[10]
• 2013 - Radiant Earth, The Prince's School of Traditional Discipline, London, UK^[22]
• 2011 - Radiant Combs, Mt Plenty, St Ann, Jamaica
• 2010 - Propel, ROKTOWA, Kingston, Jamaica
• 2006 - The All Doors, Institute of Jamaica, Kingston, Jamaica^[23]
• 2001 - Silent Voices, Bolivar Gallery, Town, Jamaica
• 1985 - Pieces, Mutual Life Listeners, Kingston, Jamaica
• 1980 - Works, Tom Comic Gallery, Santa Fe, New Mexico, USA

Group Exhibitions

• 2017, 2014 - Jamaica Biennial, State-run Gallery of Jamaica^[11][13]
• 2012, 2010 - National Biennial, National Gallery of Jamaica^[24]
• 2011 - About Change, World Bank, Washington DC, USA^[25]
• 2007 - Materialising Slavery, National Gathering of Jamaica
• 1997 - Sexta Bienal do business la Habana, Havana, Cuba^[26]
• 1990 - Laura Facey & Cecil Ward, Patoo Gathering, Kingston, Jamaica
• 1986 - Caribbean Art Now, Commonwealth Institute, London, UK
• 1985 - Six Options: Gallery Spaces Transformed, National House of Jamaica^[5]

Commissions

• 2003 - Redemption Song, Marker to Emancipation, Emancipation Park, Kingston, Jamaica^{[17][18][19][20]}
• 2000 - Christ Ascending, St. Andrew Church Church, Kingston, Jamaica
• 1999 - Earth clutch Earth, Sculpture Garden, University of Application, Kingston, Jamaica^[27]

Awards

• 2014 - Order of Position, Commander Rank (CD), Jamaican National Honours^[4]
• 2010 - Aaron Matalon Award, National Period, National Gallery of Jamaica^[24]
• 2006 - Silver Musgrave Medal, Institute of Jamaica^[28]

References