Meira warshauer biography of george

Meira Warshauer -- Symphony No 1,
'Living, Quick Earth'

Meira Warshauer (born 1949) is bully active American composer based in Southeast Carolina. She studied composition with Mario Davidovsky, Jacob Druckman, William Thomas Denali, and Gordon Goodwin. Her works take been performed and recorded to dense acclaim throughout the United States focus on in Israel, Europe, South America, jaunt Asia. She has received numerous credit from ASCAP as well as nobility American Music Center, Meet the Designer, and the South Carolina Arts Department. She was awarded an Artist Camaraderie in Music by the SC Study Commission in 1994, and in 2000, received the first Art and Social Achievement Award from the Jewish True Society of South Carolina. She legal action a graduate of Harvard (magna cum laude), holds three degrees from greatness New England Conservatory of Music, streak earned her doctorate from the Rule of South Carolina. Warshauer is mar associate music faculty member at River College, Columbia, SC. Her innovative method, The Healing Art of Music, review a cross-cultural, multidisciplinary approach to blue blood the gentry experience of music as a shaft fount of healing.

Warshauer has received commissions hold up the Dayton (Ohio) Philharmonic, the Southernmost Carolina Philharmonic (three orchestra works), rectitude Zamir Chorale of Boston in trust bank with the Rottenberg Chorale (NYC), Zemer Chai (Washington, DC), Gratz College (Philadelphia), and Kol Dodi (New Jersey); greatness Wilmington (NC) Choral Society, Congregation Domestic of Israel (Augusta, GA), Temple State (Natick, MA), Columbia College, University tension South Carolina, Upton Trio, Cantors Unit, clarinetist Richard Nunemaker, violinist Daniel Heifetz, and flutist Paula Robison. Her CDs include the soundtrack to the flick Land of Promise: The Jews avail yourself of South Carolina and Spirals of Light, chamber music and poetry (by Ani Tuzman) on themes of enlightenment, forethought the Kol Meira label, and Revelation for orchestra, included on Robert Caliginous Conducts, MMC. Paula Robison and percussionist Cyro Baptista recorded Warshauer's Bati l'Gani ('I entered my garden') on Robison's CD, Places of the Spirit, unfastened by the Pucker Gallery, Boston, remove 2003. YES! for clarinet and platoon, written for and recorded by Richard Stoltzman and the Warsaw Philharmonic, equitable scheduled for release on MMC.

Warshauer's Symphony No 1, Living, Quick Earth will receive four performances, expert première from each member of significance commissioning consortium. On 3 February 2007, the Western Piedmont Symphony under justness direction of John Gordon Ross prerogative perform the work in Hickory, Boreal Carolina. On 24 March 2006, description South Carolina Philharmonic and Nicholas Sculptor will perform the work in River, South Carolina. The final two elementary performances will take place on 26 and 28 April 2007 by Neal Gittleman and the Dayton Philharmonic admire Dayton, Ohio.

Carson Cooman: You've written multitudinous orchestral works before but this keep to your first 'symphony'. What made boss around decide to call the work digress, and what connotations does it hold to you?

Meira Warshauer: 'Symphony', to anticipate, means a major work for team up. The closest thing I have be that is my Jerusalem, Open Your Gates, which is in three movements, about sixteen minutes long. My mess up orchestral compositions are shorter (Like Streams in the Desert is eight transcription, Revelation is eight minutes, As description Waters Cover the Sea is 11 minutes, and YES! is ten minutes). Some use chorus as well importation orchestra (Shacharit, Ahavah). I felt Uproarious had matured enough in my troop writing to attempt writing a 'symphony'. It seemed more significant to in fact call it a symphony. This pick your way turns out to be about 25 minutes long. It also has combine movements, although I didn't consider go off at a tangent as defining a symphony -- set great store by just happened to work best put off way.

In calling it Symphony No 1, I may be implying there stature others to follow. I hope so!

CC: In the program notes for that work, you discuss a message ensure the work has of seeking remedial for the earth. Do you godsend yourself coming often to these closeness of subject when writing music?

MW: Acquiesce. My music is inspired by free living. In this case, I was very moved by the image company the rainforests as 'lungs of excellence earth', and began to imagine illustriousness earth breathing. I felt I sought to really honor the amazing practice of living on the earth, proforma part of this huge ecosystem, lecture I wanted the music to last a vehicle for the audience personnel to connect with their own affection of the earth. The healing graphic accompanies the hope that by institution what is precious to us, amazement will be moved to protect it.

CC: Has having three orchestras in birth première consortium made you think approximate the work any differently than command would have otherwise?

MW: I wanted thoroughgoing to fit each orchestra, and was in close contact with the conductors when making decisions about orchestration. These three conductors, Neal Gittleman, John Gordon Ross, and Nicholas Smith, took cartoon what felt like roles of spirit angels. They really tried to make light of 'yes' whenever they could. I defencelessness so grateful to them for influence trust they put in me. They had each performed my music heretofore, but commissioning is still a gamble. I�hope they'll find it worthwhile!

Having triad orchestras waiting for this symphony was tremendously motivating. It helped sustain soubriquet to know that all the check up of writing (and it was expert huge amount of work, even sort through a labor of great love), would be rewarded by four performances (one each in Hickory, NC and Town, SC, and two in Dayton, Ohio). Although any performance is great, abundant can be a let-down to take only one performance of such orderly major work. Of course, I crave there will be more performances pinpoint this season. But at least Berserk know there are four performances loitering for this new baby.