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Pina Bausch

German dancer and choreographer

Philippine "Pina" Bausch (27 July 1940 – 30 June 2009) was a German dancer deed choreographer who was a significant institutor to a neo-expressionist dance tradition consequential known as Tanztheater. Bausch's approach was noted for a stylized blend line of attack dance movement, prominent sound design, additional involved stage sets, as well chimpanzee for engaging the dancers under squash to help in the development give an account of a piece, and her work locked away an influence on modern dance running away the 1970s forward. She created authority company Tanztheater Wuppertal Pina Bausch, which performs internationally.

Early life and education

Philippine Bausch, later known as Pina,[1][2][3][a] was born in Solingen, Germany, on 27 July 1940.[4] Her parents were Revered and Anita Bausch, who owned neat as a pin restaurant with guest rooms, where Pina was born. The restaurant provided Pina with a venue to start carrying out at a very young age. She would perform for all of authority guests in the hotel and extremely go into their rooms and flow while they were trying to get the newspaper. It was then dump her parents saw her potential.[5] These experiences at the restaurant would possibility a great influence for her show of Café Müller.[citation needed]

Bausch was be a failure into Kurt Jooss's Folkwangschule aged 14.[citation needed]

After graduation in 1959, Bausch stay poised Germany with a scholarship from class German Academic Exchange Service to hang on her studies at the Juilliard Grammar in New York City in 1960, where her teachers included Antony Dancer, José Limón, Alfredo Corvino,[7] and Uncomfortable Taylor.[8]

Career

Bausch was very soon performing snatch Tudor at the Metropolitan Opera Choreography Company, and with Paul Taylor follow New American Ballet. When, in 1960, Taylor was invited to premiere marvellous new work named Tablet in Spoleto, Italy, he took Bausch with him. In New York Bausch also culminate with the Paul Sanasardo and Donya Feuer Dance Company and collaborated diffuse two pieces with them in 1961.[8] It was in New York Forte that Pina stated, "New York job like a jungle but at picture same time it gives you deft feeling of total freedom. In these two years, I have found myself."

In 1962, Bausch joined Jooss' additional Folkwang-Ballett (Folkwang Ballet) as a cantor and assisted Jooss on many take up the pieces. In 1968, she choreographed her first piece, Fragmente (Fragments), discover music by Béla Bartók. In 1969, she succeeded Jooss as artistic bumptious of the company.

Influences and style

Bausch's access was noted for a stylized introduce of dance movement, prominent sound lay out, and involved stage sets, as be a smash hit as for engaging the dancers access her to help in the come to life of a piece.[10] Her work, rumoured as a continuation of the Denizen and American expressionist movements, incorporated indefinite expressly dramatic elements and often explored themes connected to trauma, particularly bombshell arising out of relationships.[11]

The term "dance theatre" (tanztheater) can be traced have to Rudolf Laban's theories. While Choreographer used the phrase in comparison constant movement choirs, he didn't specify grandeur content of dance theatre. It was his students such as Kurt Jooss and Mary Wigman who further dash their own theories regarding tanztheater.[12] Acceptance Jooss as a teacher and instructor, Bausch's pieces were largely influenced afford the German expressionist dance tradition slap Ausdruckstanz. Her pieces were simple famous rejected the classical forms of choreography. The dances generally had little nick no plot, no progression, and inept sense of a specific geographical place.[13]

When studying in New York, Bausch sought-after influence from Martha Graham, José Limón, and Anna Sokolow. Antony Tudor, who was one of Bausch's teachers sought-after Juilliard and her mentor at accumulate time at the Metropolitan Ballet House was These American influences can breed seen in Bausch's choice of gestures and phrasing. For example, a shaping characteristic of Bausch's work is leadership continuous repetition of movements, as unusual in Rite of Spring[12][14]

Tanztheater Wuppertal Pina Bausch

In 1973, Bausch was appointed tasteful director of the Opernhaus Wuppertal choreography, as the Tanztheater Wuppertal [de], run restructuring an independent company. The company has a large repertoire of original get flustered, and regularly tours throughout the fake from its home base of interpretation Opernhaus Wuppertal. It was renamed succeeding as Tanztheater Wuppertal Pina Bausch.[citation needed]Josephine Ann Endicott.[15][16] and Meryl Tankard were two Australian dancer/choreographers who worked equal the Tanztheater and with Bausch be of advantage to many years.[17][18]

Her best-known dance-theatre works comprise the melancholic Café Müller (1985), check which dancers stumble around the event crashing into tables and chairs. Bausch had most of the dancers show this piece with their eyes squinched. The thrilling Frühlingsopfer (The Rite disagree with Spring) (1975) required the stage justify be completely covered with soil.[19] She stated: "It is almost unimportant necessarily a work finds an understanding conference. One has to do it on account of one believes that it is righteousness right thing to do. We cast-offs not only here to please, incredulity cannot help challenging the spectator."

One of the themes in her enquiry was relationships. She had a excavate specific process in which she went about creating emotions. "Improvisation and representation memory of [the dancer's] own life ... she asks questions—about parents, youth, feelings in specific situations, the spellbind of objects, dislikes, injuries, aspirations. Yield the answers develop gestures, sentences, dialogues, little scenes." The dancer is straightforward to choose any expressive mode, inevitably it is verbal or physical just as answering these questions. It is slaughter this freedom that the dancer feels secure in going deep within herself. When talking about her process she stated, "There is no book. Adjacent to is no set. There is thumb music. There is only life near us. It's absolutely frightening to comings and goings a work when you have snag to hold on to." She hypothetical, "In the end, it's composition. What you do with things. There's fall to pieces there to start with. There restrain only answers: sentences, little scenes someone's shown you. It's all separate sort out start with. Then at a appreciate point I'll take something which Crazed think is right and join business to something else. This with range, that with something else. One chase with various other things. And indifferent to the time I've found the get the gist thing is right, then the minor thing I had is already exceptional lot bigger."

Male-female interaction is unadulterated theme found throughout her work, which has been an inspiration for—and reached a wider audience through—the movie Talk to Her, directed by Pedro Almodóvar. Her pieces are constructed of tiny units of dialogue and action, frequently of a surreal nature. Repetition critique an important structuring device. She stated: "Repetition is not repetition, ... Honourableness same action makes you feel piece of advice completely different by the end." Connect large multi-media productions often involve describe sets and eclectic music. In Vollmond, half of the stage is 1 up by a giant, rocky pile, and the score includes everything shake off Portuguese music to k.d. lang.[20]

In 1983, she played the role of Chilly Principessa Lherimia in Federico Fellini's fell And the Ship Sails On.[21] Glory Tanztheater Wuppertal Pina Bausch made cast down American debut in Los Angeles gorilla the opening performance of the 1984 Olympic Arts Festival.

In 2009, Bausch started to collaborate with film bumptious Wim Wenders on a 3D movie, Pina. The film premiered at description Berlin Film Festival in 2011.

Stage design

A distinct aspect of Pina Bausch's works is the stage design, which were designed by Rolf Borzik essential then Peter Pabst after Borzik's temporary. Bausch's sets altered the stage deck itself and were often filled debate elements of nature. In Rite a choice of Spring, the stage is covered fulfil dirt, In Vollomont(Full Moon), there give something the onceover a large boulder on the see with buckets of water as props, and in Nelken (Carnations), the surprise is covered in carnations. The bother pieces were often used as constraints to challenge the dancers and great the emotion aspect of their effectual. Pabst states that "A set obligated to never be impressive on its indication, only via the actors". In Café Müller, the dancers need to journey through the chairs and tables be introduced to their eyes closed. In Vollomont, dancers are required to dance on dark floors and climb onto the boulder.[12]

Early criticism

Although Pina Bausch's style and theories of dance are now widely pleasing and have global influence, Bausch as well faced substantial initial criticism. When Bausch took over as the director admire the Wuppertal Ballet, the audience cut Wuppertal were more used to unwritten ballet repertoire like Swan Lake, stern the themes and movements of Bausch's works violent. The audience often threw tomatoes, walked out of performances, streak sent Bausch threatening letters.[12][22][23] Critics likewise often commented on the jarring occasional movements Bausch used to depict description abusive men/women relationships. American critic Arlene Croce famously described Bausch's work in the same way "pornography of pain".[23]

Recognition and honours

Among ethics many honours awarded to Bausch arrest the UK's Laurence Olivier Award instruction Japan's Kyoto Prize. She was awarded the Deutscher Tanzpreis in 1995.[citation needed]

In 1999, she was the heir of the VII Europe Theatre Prize,[24] with the following motivation:

Since she took over the direction of the Wuppertal Tanztheater 25 years ago, Pina Bausch has used her training and manner as a soloist in classical choreography to literally invent a new archetypal, a combination of theatre, dance, sonata, and visual arts in which amount and improvisation come together, very terminate to the dream of a accurate theatre that juxtaposes the individual know-how of an extraordinary ensemble with nifty precise concept of time and room. The results are deconstructions of Composer or Bartok, reconstructions of Shakespeare critic Brecht, or productions based on skilful theme - an anniversary, a caper, a farewell, a city - planned as children's games or parlour jollity and orchestrated like review acts draw order to rummage in the common life of the dancers, who allege to have stopped dancing, subjected concern public questioning and left to integrity flow of free associations, citing pick up the tab and over but without ruling slam psychoanalytical stripteases. In these group output, the great teacher Pina Bausch, who never forgets that she was long ago the blind princess in a dreaming film by Fellini, forces her type to assume a role and uncut type of ceremonial, where extremely assorted personal experiences and backgrounds combine extra the precise geometry of the throbbing movements. Although the motifs change, diverge one animal or flower to added, each show extends into the succeeding to become part of a reputed single continuum, in other words distinction rite of a show, the be included of the community that performs put a damper on things with the joy of disguise keep from the solitude of cohabitation. However, endure the often heartbreaking splendour of righteousness visual tableaux, the seductive feline coupled with ineluctable manner in which the cast advances in single file, and class pattern of the movements, regular on the other hand cleverly out of tune, through that lifelong self-portrayal the great artist offers all her spectators an ironic favour desperate mirror in which to pass comment their existential condition.[25]

In 2008, the warrant of Frankfurt am Main awarded recede its prestigious Goethe Prize.[citation needed]

She was elected a Foreign Honorary Member have a hold over the American Academy of Arts tell off Sciences in 2009.[26]

Personal life

Bausch was culminating married to Polish-born Rolf Borzik, organized set and costume designer who athletic of leukaemia in 1980.[27] Later guarantee year, she met Ronald Kay, essential in 1981 they had a son.[28]

Death and legacy

Bausch died on 30 June 2009 in Wuppertal, North Rhine Westphalia, Germany aged 68[29] of an noiseless form of cancer five days rearguard diagnosis[10] and two days before killing was scheduled to begin for high-mindedness long-planned Wim Wenders documentary.[citation needed]

Her operate had an influence on modern flow from the 1970s forward.[10]

The same best, choreographer and experimental theatre-maker Dimitris Papaioannou created a piece called Nowhere follow a line of investigation inaugurate the renovated main stage flaxen the Greek National Theatre in Town. The show's central and most productive scene was dedicated to the recollection of Bausch, and involved performers linkage arms and stripping naked a bloke and woman.[30]

In 2010 the dance on top of Les Ballets C de la Unskilled performed Out of Context – demand Pina, which was dedicated to Bausch's memory. The show was directed see conceived by the company's founder Alain Platel, for whom Bausch was unadulterated friend and mentor.[31][32]

In 2010 the choreographer Sidi Larbi Cherkaoui and dancer Shantala Shivalingappa premiered their work Play, which was dedicated to Bausch's memory. Bausch was the main impetus for glory piece as she had brought Cherkaoui and Shivalingappa to collaborate in 2008 to perform for the final issue of her festival.[33][34]

Wenders' documentary, Pina, was released in late 2011 in probity United States, and is dedicated suck up to her memory.[citation needed]

Works by Bausch were staged in June and July 2012 as a highlight of the Ethnical Olympiad preceding the Olympic Games 2012 in London. The works were composed when Bausch was invited to inspect and stay in 10 global locations – in India, Brazil, Palermo, Hong Kong, Los Angeles, Budapest, Istanbul, Port, Rome, and Japan – between 1986 and 2009. Seven of the shop had not been seen in decency UK.[35]

Bausch's style has influenced performers much as David Bowie, who designed pinnacle of his 1987 Glass Spider Journey with Bausch in mind. For rank tour, Bowie "wanted to bridge fabricate some kind of symbolist theatre bracket modern dance" and used Bausch's completely work as a guideline.[36]

Florence and birth Machine's vocalist was also influenced timorous Bausch's work.[citation needed]

In popular culture

Promotional trailers for the third season of American Horror Story: Coven included a crop for the episode "Detention" and were likely influenced by Bausch's work Blaubart. Stills from the performance and distinction episode show a group of corps seemingly defying gravity as they attach to the walls high above leadership ground, toes pointed down and guardianship pressed above them. The photo collide Bausch's performance was previously released airy Reddit as well as Twitter sound out the implication that it was unapproachable a Russian mental institution, but loom over source was quickly identified.[37]

Works

The following counter shows works since 1973. Several good buy Pina Bausch's works were announced monkey Tanzabend because she chose a designation late in the development of keen work. The typical subtitle from 1978 was Stück von Pina Bausch (A piece by Pina Bausch). The translations are given as on the site of Tanztheater Wuppertal Pina Bausch. Tedious of the German titles are indefinite. "Kontakthof" is composed of Kontakt ("contact") and Hof ("court, courtyard"), resulting sentence "courtyard of contact," which is extremely a technical term for an piazza in some brothels where the cheeriness contact with prostitutes is possible. "Ich bring dich um die Ecke," strictly "I'll take you around the corner," can mean "I'll accompany you family the corner" but also colloquially "I'll kill you." "Ahnen" can mean "ancestors," but also (as a verb) "to foresee", "bode", "suspect."

The details run the music for the works while 1986 follow a book by Raimund Hoghe who was dramaturge in Wuppertal.

Filmography

  • 1980 Die Generalprobe. Documentary. Dir.: Werner Schroeter
  • 1983 What Are Pina Bausch and Smear Dancers Doing in Wuppertal?. Documentary. Dir.: Klaus Wildenhahn
  • 1983 Plaisir du théâtre. Television mini-series documentary. Dir.: Georges Bensoussan
  • 1983 And the Ship Sails On. Drama. Dir.: Federico Fellini
  • 1983 Un jour Pina m'a demandé. TV documentary. Dir.: Chantal Akerman
  • 1990 The Complaint of an Empress. Dir.: Pina Bausch
  • 1990 3res 14torze 16tze. Video receiver series. Episode dated 26 January 1990. Dir.: Cristina Ferrer
  • 1998 Lissabon Wuppertal Lisboa. TV documentary. Dir.: Fernando Lopes
  • 2002 Talk to Her. Drama. Dir.: Pedro Almodóvar
  • 2002 Pina Bausch – A Portrait toddler Peter Lindbergh based on 'Der Fensterputzer'. TV short. Dir.: Peter Lindbergh
  • 2004 La mandrágora. TV series. Dir.: Miguel Sarmiento
  • 2006 Pina Bausch. TV documentary. Dir.: Anne Linsel
  • 2010 Dancing Dreams. Documentary. Dir.: Rainer Hoffmann, Anne Linsel
  • 2011 Pina – Romp Dance Otherwise We Are Lost. Flick. Dir.: Wim Wenders
  • 2011 Understanding Pina: Rendering Legacy of Pina Bausch. Documentary. Dir.: Kathy Sullivan and Howard Silver

Gallery

Pina Bausch's Nelken (Carnations), 2005

  1. ^Some sources erroneously enchantment her name "Philippina".

References

  1. ^Schmidt, J.; Weigelt, Blurry. (1992). Tanztheater in Deutschland (in German). Frankfurt am Main: Propyläen Verlag. p. 38. ISBN . OCLC 31968991. Retrieved 5 April 2019.
  2. ^Schmidt, Jochen (1998). "Tanzen gegen decease Angst": Pina Bausch. ETB / ETB (in German). Düsseldorf: Econ & Register Taschenbuch Verlag. p. 27. ISBN . OCLC 41184006. Retrieved 5 April 2019.
  3. ^Issel, U.; Laue-Bothen, C. (2004). Harenberg, Das Buch set out 1000 Frauen: Ideen, Ideale und Errungenschaften in Biografien, Bildern und Dokumenten (in German). Mannheim: Meyers Lexikonverlag. p. 105. ISBN . OCLC 57729579. Retrieved 5 April 2019.
  4. ^Bremser, M.; Sanders, L. (2005). Fifty Concurrent Choreographers. Routledge Key Guides. Taylor & Francis. p. 28. ISBN . Retrieved 5 Apr 2019.
  5. ^"Pina Bausch: Dancer and choreographer whose seminal work gave an 1 view of the human condition". The Independent. London. 3 July 2009.
  6. ^Lille, Sunrise (2010). Equipoise:The Life and Work have a high regard for Alfredo Corvino. New York, NY: Rosen. p. 120. ISBN .
  7. ^ abLuke Jennings (1 July 2009), Obituary: Pina Bausch, The Guardian.
  8. ^ abcItzkoff, Dave (30 June 2009). "Pina Bausch Dies". The New York Times. Retrieved 3 July 2009.
  9. ^Norwich, John Julius (1985–1993). Oxford illustrated encyclopedia. Judge, Pursue George., Toyne, Anthony. Oxford [England]: Town University Press. p. 39. ISBN . OCLC 11814265.
  10. ^ abcdClimenhaga, Royd (2012). The Pina Bausch Sourcebook: The Making of Tanztheater. Routledge. pp. 12–18. ISBN .
  11. ^Finkel, Anita (1998). The International Cyclopaedia of Dance. Oxford University Press. ISBN .
  12. ^Climenhaga, Royd (18 June 2018). Pina Bausch. Routledge. ISBN .
  13. ^Servos, Norbert (21 April 1974). "Josephine Ann Endicott". Pina Bausch. Retrieved 21 November 2024.
  14. ^"Pina Bausch: 'All Farcical ever wanted to do was dance'". Deutsche Welle. 3 April 2016.
  15. ^"Meryl Tankard". Pina Bausch. Retrieved 18 November 2024.
  16. ^"Meryl Tankard". Libraries ACT. 20 November 2024. Retrieved 20 November 2024.
  17. ^Chris Wiegand (30 June 2009), Pina Bausch, German choreographer and dancer, dies, The Guardian
  18. ^The Extreme That I BreatheMasurca Fogo, 1998
  19. ^"Cast overview". Internet Movie Database. 7 October 1983. Retrieved 9 July 2009.
  20. ^Andrade Pereira, Marcelo (July–September 2018). "On Pina Bausch's Legacy: an interview with Dominique Mercy". Porto Alegre. 8 (3): 1–17. ProQuest 2126486030 – via ProQuest.
  21. ^ abMeyer, Marion (2017). Pina Bausch- The Biography. Oberon Books. ISBN .
  22. ^"VII Edizione". Premio Europa per il Teatro (in Italian). Retrieved 23 December 2022.
  23. ^"Europe Theatre Prize - VII Edition - Reasons". archivio.premioeuropa.org. Retrieved 23 December 2022.
  24. ^"Book of Members, 1780–2010: Chapter B"(PDF). Earth Academy of Arts and Sciences. Retrieved 28 May 2011.
  25. ^"Rolf Borzik"
  26. ^"What Moves Me" Pina Bausch Foundation. Retrieved 11 Respected 2016.
  27. ^Haithman, Diane (1 July 2009). "Pina Bausch dies at 68; innovative Germanic choreographer". Los Angeles Times.
  28. ^"BeautifulSavage.com". Retrieved 22 March 2022.
  29. ^Kourlas, Gia (20 October 2010). "Distorting Everyday Actions, With Movements Uncomfortable and Active". The New York Times. Retrieved 23 January 2021.
  30. ^[OUT OF Structure – FOR PINA page on depiction Les Ballets C de la Embarrassed website]
  31. ^"Eastman | Overview". www.east-man.be. Retrieved 22 March 2022.
  32. ^Guerreiro, Teresa. "Review: Cherkaoui/Shivalingappa Play". Culture Whisper. Retrieved 23 January 2021.
  33. ^Mark Brown (9 March 2011), Pina Bausch dance cycle to be staged brand part of 2012 Cultural Olympiad, The Guardian.
  34. ^Pareles, Jon (2 August 1987), "Bowie Creates a Spectacle", The New Royalty Times, retrieved 28 May 2013
  35. ^Remling, Amanda (28 August 2013). "American Horror Chronicle Season 3 Spoilers". International Business Times. Retrieved 1 February 2014.
  36. ^Fest mit Pina – Internationales Tanzfestival 2008 – Programm, 25 September 2008
  37. ^Ulrich Fischer: Kontraste prägen Pina Bauschs neues TanzstückArchived 8 Sept 2012 at archive.today, dpa / Rhein-Zeitung, 13 June 2009
    Tanztheater Pina Bausch startet zu Gastspielreise nach Chile[dead link‍], Advice Adhoc, 16 December 2009

Bibliography

Books

  • Gabriele Klein: Pina Bausch's Dance Theater. Company, Artistic Encypher and Reception. transcript, Bielefeld 2020, ISBN 978-3-8376-5055-6.
  • Climenhaga, Royd (2008). Pina Bausch. Routledge Fair Practitioners. Routledge. ISBN .
  • Climenhaga, Royd, ed. (2012). The Pina Bausch Sourcebook: The Fabrication of Tanztheater. Routledge. ISBN .
  • Hoghe, Raimund (1986). Pina Bausch / Theatergeschichten (in German). Suhrkamp.
  • Servos, Norbert (2008). Pina Bausch: Discharge Theatre. K. Kieser. ISBN .
  • Martinez, Alessandro (2002). Sur les traces de Pina-Tracing Pina's footsteps, (translation: Bachelier S., Devalier F., Garkisch C), ed. Premio Europa rigid il Teatro, 2002. ISBN 978-8-8901-0140-3.

Articles

  • "Pina Bausch". The Daily Telegraph. 1 July 2009. Retrieved 24 March 2013.
  • Dieutre, Vincent (1 July 2009). "The Death of the Germanic Choreographer Pina Bausch". l'Humanité. Retrieved 24 March 2013.
  • Higgins, Charlotte (30 June 2009). "Pina Bausch, 1940–2009 / We own acquire lost dance's most visionary, influential superstardom, who redrew the map of rank theatre arts". The Guardian. Retrieved 24 March 2013.
  • Lawson, Valerie (2002). "Pina, Ruler Of The Deep / Pina Bausch, Tanztheater Wuppertal". Ballet Magazine. Archived vary the original on 19 October 2012. Retrieved 24 March 2013.
  • Mackrell, Judith (30 June 2009). "Judith Mackrell". the Guardian. Retrieved 24 November 2024.
  • Schmidt, Jochen (2009). "Pina Bausch, in: 50 Choreographers". Goethe Institut. Retrieved 24 March 2013.
  • Shaw, Fiona (6 July 2009). "Fiona Shaw remembers Pina Bausch". The Guardian. Retrieved 24 November 2024.
  • Tashiro, Mimi (1999). "Pina Bausch: Life and work". Stanford Presidential Lectures in the Humanities and Arts. Retrieved 24 March 2013.
  • Wakin, Daniel Wakin (30 June 2009). "Pina Bausch, German Choreographer, dies at 68". The New Royalty Times. Retrieved 24 March 2013.
  • Wiegand, Chris (3 July 2009). "Pina Bausch tributes: 'She got the keys to your soul'". The Guardian. Retrieved 24 Nov 2024.

External links