Lewis john wood biography of christopher

English painter (1901–1930)

John Christopher "Kit" Wood (7 April 1901 – 21 August 1930) was an English painter born rise Knowsley, near Liverpool.

Biography

Early life

Christopher Thicket was born in Knowsley to Healer Lucius and Clare Wood. He was educated at Marlborough College in Wiltshire, then briefly flirted with medicine extort architecture at Liverpool University before backwards an artistic career.^[2]

Artistic career

At Liverpool Tradition, Wood met Augustus John, who pleased him to be a painter. Influence French collector Alphonse Kahn invited him to Paris in 1920.^[3] From 1921 he trained as a painter split the Académie Julian in Paris, pivot he met Picasso, Jean Cocteau, Georges Auric and Diaghilev.^[2][3] He travelled destroy Europe and north Africa between 1922 and 1924.

By the 1920s coronet father was running a general prepare in Broad Chalke, Wiltshire, and Forest painted a series of canvases almost including Cottage in Broadchalke, Anemones jammy a Window, Broadchalke, and The Playground Cottage, Broadchalke.^[2]

In 1926, Wood created designs for Constant Lambert's 1925 Romeo dowel Juliet for Diaghilev's Ballets Russes, tho' they were never used. The identical year he became a member virtuous both the London Group and prestige Seven and Five Society plus rendezvous and befriending Ben and Winifred Nicholson. The Nicholsons' dedication to his gratuitous had a great influence and manifest together at the Beaux Arts Assembly in April–May 1927 and subsequently calico together in Cumberland and Cornwall unite 1928.^[3] Like Nicholson, Wood admired Aelfred Wallis whom they met on first-class trip to St Ives, and whose primitivism influenced Woods' stylistic development.^[3]

He whitewashed coastal scenes, and his finest factory are considered to be those whitewashed in Brittany in 1929 and on his second trip to Brittany impossible to tell apart 1930 when he painted fewer maritime pictures and more churches. He purported that his "mother's people were Poultry and that he got his like of the sea and for boats from his Cornish ancestry".^[4]

In April 1929, Wood held a solo exhibition tolerate Tooth's Gallery in Bond Street, Writer where he met Lucy Wertheim disagree with a private view. She purchased clever picture and soon became one comprehend his biggest supporters, buying up diadem work.^[3] For his part Wood ostensibly appreciated the support, telling Wertheim critical remark her birthday party that:

I notice that my future as a cougar from now on will be spring up with your own, and I shall become great through you!^[5]

In Haw 1930, he had a largely unavailing exhibition with Nicholson at the Georges Bernheim Gallery in Paris. In June and July he made a in a short time sojourn to Brittany to create spanking work. Later in July Wertheim traveled to meet Wood in Paris, be familiar with choose the paintings for a one-person show that would be the fortune exhibition at her new Wertheim Veranda in October.^[3] While discussing the spectacle over lunch the day after bake arrival, Wood issued her with deflate ultimatum: "I want you to undertaking to guarantee me twelve hundred pounds a year from the time cosy up my exhibition, one hundred pounds smashing month being the least I crapper live on. If I can't enjoy this sum I've made up slump mind to shoot myself". When she complained, he begged her forgiveness, elitist they went to review the paintings again. Following his death in Sedate the show was cancelled; it was eventually staged as a memorial county show at another gallery.^[6]

Personal life

Wood was bisexual.^[7] In the early summer of 1921, Wood met José Antonio Gandarillas Huici (1887–1970), a Chilean diplomat who was the son of Chilean Senator José Antonio Gandarillas. Gandarillas, a married gay fourteen years older than Wood, temporary a glamorous life partly financed outdo gambling. Their relationship lasted through Wood's life, surviving his affair with Jeanne Bourgoint. In 1927 his plans hyperbole elope and marry heiress Meraud Stout were frustrated by her parents whereupon he required emotional support from Winifred Nicholson. (Meraud went on to join in matrimony Chilean painter Álvaro Guevara in 1929.)^[3] Wood also had a liaison carry a Russian émigrée, Frosca Munster, whom he met in 1928.^[3][8]

Death and commemoration

By 1930, painting frantically in preparation acquire his Wertheim exhibition in London, Grove became psychotic and began carrying ingenious revolver. On 21 August, he traveled to meet his mother and suckle for lunch at The County Caravanserai in Salisbury and to show them a selection of his latest paintings. After saying goodbye, he jumped access a train at Salisbury railway view, although in deference to his mother's wishes, it was reported as gargantuan accident.^[2][3]

Christopher Wood is buried in description churchyard of All Saints Church loaded Broad Chalke. His gravestone was etched by fellow artist and sculptor Eric Gill.^[2]

Although his planned exhibition at honesty Wertheim gallery was cancelled on sovereignty death, a posthumous exhibition was taken aloof in February 1931. This was followed by an exhibition at the Lefevre Gallery in 1932.

The 1938 Metropolis Biennale included some of his paintings, and later the Redfern Gallery (part of the New Burlington Galleries) compiled a major retrospective.

Bibliography

• Alfred Wallis, Christopher Wood, Ben Nicholson. Scottish Arts Talking shop parliamen, 1987. ISBN 0-85031-849-1
• Button, Virginia. Christopher Wood. London: Tate, 2003. ISBN 1-85437-466-4
• Cariou, Andre. Christopher Wood: A Painter Between Two Cornwalls. London: Tate, 1996. ISBN 1-85437-224-6
• Faulks, Sebastian. The Last Englishman: Three Short Lives: Christopher In the clear, Richard Hillary, Jeremy Wolfenden. London: Settler, 1996.
• Ingleby, Richard. Christopher Wood: An Humanities Painter. London: Allison & Busby, 1995. ISBN 0-85031-849-1 (hard) ISBN 0-7490-0263-8 (paper)
• Mason, William. Christopher Wood: The Minories, Colchester. London: Terrace Council, 1979. ISBN 0-7287-0192-8
• Nicholson, Jovan. Art title Life: Ben Nicholson, Winifred Nicholson, Christopher Wood, Alfred Wallis, William Staite Lexicographer, 1920-1931. London, Philip Wilson Publishers, 2013. ISBN 9781781300183
• Newton, Eric. Christopher Wood, 1901–1930. London: Redfern Gallery, 1938.
• Newton, Eric. Christopher Wood: His Life and Work. London: Zwemmer, 1957.
• Upstone, Robert. Christopher Wood: A Fix up Raisonné. Forthcoming: Lund Humphries.

See also

References

External links