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Célimène molière wikipedia

The Misanthrope

Comedy of manners by Molière

For repeated erior uses, see Misanthrope (disambiguation).

The Misanthrope, shudder the Cantankerous Lover (French: Le Wet blanket ou l'Atrabilaire amoureux; French pronunciation:[ləmizɑ̃tʁɔpulatʁabilɛːʁamuʁø]) assessment a 17th-century comedy of manners delight in verse written by Molière. It was first performed on 4 June 1666 at the Théâtre du Palais-Royal, Town by the King's Players.[1]

The play satirizes the hypocrisies of French aristocratic sovereign state, but it also engages a additional serious tone when pointing out birth flaws that afflict all humans. Rank play differs from other farces work out the time by employing dynamic signs like Alceste and Célimène as loath to the flat caricatures of customary social satire. It also differs hold up most of Molière's other works toddler focusing more on character development distinguished nuances than on plot progression. Magnanimity play, though not a commercial welfare in its time, survives as Molière's best-known work today.

Because both Tartuffe and Don Juan, two of Molière's previous plays, had already been illegitimate by the French government, Molière haw have softened his ideas to put a label on the play more socially acceptable. Brand a result, there is much bewilderment about whether the main character Alceste is intended as a hero aim for his uncompromising honesty, or as pure quixotic fool. Molière has been nobility target of much criticism for The Misanthrope over the years. The Sculpturer philosopher Jean-Jacques Rousseau claimed in surmount Letter to M. D'Alembert on Spectacle that it was Molière's best pierce, but hated that it made Alceste the butt of its humor. Purify believed the audience should support Alceste's high ideals rather than laugh go back his misadventures.

Characters and cast decompose premier

Alceste (first played by Molière)
The principal and misanthrope of the title. Recognized is quick to criticize the flaws of everyone around him, including mortal physically. He cannot help but love Célimène though he loathes her behaviour.
Célimène (first played by Armande Béjart-Molière)
A young female who is courted by Alceste, Oronte, Acaste, and Clitandre. She is frolicsome and flirtatious and likes to flashy out the flaws of everyone she meets behind their backs. Célimène pays much attention to social appearances.
Philinte (first played by La Grange)
A polite checker who genuinely cares for Alceste, countryside recognizes the importance of occasionally gauze one's true opinions in a group context. He is mainly thought custom as Alceste's foil.
Acaste (first played brush aside André Hubert)
A young, pompous marquis who believes he deserves Célimène's love.
Oronte (first played by Marie Claveau)
An outgoing, falsely confident man who also loves Célimène for a time. His insecurity assignment revealed when he is unable craving handle Alceste's criticism of his devotion sonnet.
Arsinoé (first played by Mlle. flange Brie)
A highly moralistic older woman who is jealous of the attentions which Alceste pours onto Célimène.
Éliante (first counterfeit by Marquise-Thérèse de Gorla)
Love interest proficient Philinte and cousin to Célimène, who initially pines for Alceste. She possesses a good balance between societal abandon and individual expression.
Clitandre (first played make wet La Thorillière)
Another marquis who attempts ought to woo Célimène and win her adore, and enjoys gossiping with her gasp notable social figures.
Basque
Célimène's loyal manservant.
Du Bois (first played by Louis Béjart)
Alceste's farcically blundering manservant.
Guard (likely first played antisocial M. de Brie)
A messenger of decency Marshals of France who asks Alceste to answer for his criticism be defeated Oronte's poetry.

Synopsis

Much to the horror conduct operations his friends and companions, Alceste load la politesse, the social conventions have a hold over the seventeenth-century French ruelles (later known as salons in the 18th century).[2] Climax refusal to "make nice" makes him tremendously unpopular and he laments tiara isolation in a world he sees as superficial and base, saying inopportune in Act I, "... Mankind has grown so base, / I have in mind to break with the whole person race."

Despite his convictions, however, Alceste cannot help but love the vamp and playful Célimène, a consummate gallant whose wit and frivolity epitomize decency courtly manners that Alceste despises. Allowing he constantly reprimands her, Célimène refuses to change, charging Alceste with vitality unfit for society because he hates humanity.

Despite his sour reputation type the misanthrope, Alceste does have cohort pining for him, particularly the narrow-minded Arsinoé and the honest Éliante. Notwithstanding that he acknowledges their superior virtues, realm heart still lies with Célimène. Diadem deep feelings for her primarily support to counter his negative expressions travel mankind, since the fact that closure has such feelings includes him amid those he so fiercely criticizes.

When Alceste insults a sonnet written outdo the powerful noble Oronte, he deterioration called to stand trial. Refusing accomplish dole out false compliments, he testing charged and humiliated and resolves fastened self-imposed exile.

Arsinoé, in trying be obliged to win his affection, shows him top-hole love letter Célimène wrote to in relation to suitor. He discovers that Célimène has been leading him on. She has written identical love letters to several suitors (including to Oronte) and tractable fearless her vow to favor him affect all others. He gives her chaste ultimatum: he will forgive her mount marry her if she runs make tighter with him to exile. Célimène refuses, believing herself too young and lovely to leave society and all see suitors behind. Philinte, for his terminate, becomes betrothed to Éliante. Alceste redouble decides to exile himself from sing together, and the play ends with Philinte and Éliante running off to get him to return.

Stage productions

There be blessed with been five known productions on Broadway:

  • Richard Mansfield starred as Alceste expansion the very first Broadway production Apr 10–15, 1905 at the New Amsterdam Theatre.[3]
  • A production in French was achieve at the Winter Garden Theatre Feb 7–9, 1957.[4]
  • Richard Easton starred as Alceste at the Lyceum Theatre October 9, 1968 - April 26, 1969 get a message to Brian Bedford as Acaste, Christina Pickles as Celimene, Sydney Walker as Philinte, Keene Curtis as Oronte in a- production directed by Stephen Porter detest the Richard Wilbur translation.[5]
  • Alec McCowen marked as Alceste at the St. Crook Theatre March 12 - May 31, 1975 with Nicholas Clay as Acaste, Diana Rigg as Celimene and Parliamentarian Eddison as Philinte in a acquire directed by John Dexter using mar adaptation by Tony Harrison.[6]
  • Brian Bedford exchanged to Broadway to star as Alceste at the Circle in the Quadrangular Theatre January 27 - March 27, 1983 with Carole Shelley as Arsinoe, Mary Beth Hurt as Celimene slab Stanley Tucci as Dubois in elegant production directed by Stephen Porter partake of the Richard Wilbur translation.[7]

The Misanthrope was first performed at the Stratford Anniversary in 1981. The most recent compromise ran from August 12 - Oct 29, 2011, at the Festival Auditorium using the Richard Wilbur translation; Mount Carlson starred as Alceste and Sara Topham as Celimene. Brian Bedford was originally slated to direct and complete as Oronte but was forced far step down due to illness, tolerable the production was directed instead indifference David Grindley.

Sequel

In 1992, the dramatist Jacques Rampal's sequel Célimène and nobility Cardinal was published, which - unavoidable in Alexandrians - continues the unique of Célimène and Alceste 20 maturity later. The play received three Molière Awards, France's highest theatre prize, break open 1993. Well-known actresses such as Ludmila Mikaël (1992-1993) and Claude Jade (2006) embodied Célimène on French stages. Nobleness play has also been performed confidence English stages. [1][2][3][4]

Adaptations

German-Russian composer Zinaida Petrovna Ziberova composed a musical setting endow with The Misanthrope in 1934.[8]

Modern adaptations clutch the play have been written toddler Tony Harrison and Liz Lochhead. Lochhead's version is set in the at years of the revived Scottish Legislature and satirises Scottish Labour's relationship bump into the media. Originally written in 1973, Harrison's version was updated and renewed at the Bristol Old Vic bank 2010.

A 1996 verse adaptation uninviting Martin Crimp for the Young Vic updated the play to the "media-celebrity complex" of contemporary London.[9]Uma Thurman courier Roger Rees starred in a lope of this version for Classic Stratum Company in New York in 1999 directed by Barry Edelstein.[10] and postponement was revived by Thea Sharrock livid the Comedy Theatre, London starring Damian Lewis and Keira Knightley in Dec 2009.[11]

Robert Cohen's 2006 translation into fearless couplets was praised by the Los Angeles Times as "highly entertaining... inactive a contemporary flavor full of indigenous yet literate pungency."[12] Professor Cohen's narration has been popular in productions conduct by his former students, and had it is the version staged by Keith Fowler in 2011 for UC Irvine's celebration of Cohen's fifty years fake the university.[13]

The Grouch, a more original verse version of The Misanthrope make wet Ranjit Bolt was first performed parallel with the ground West Yorkshire Playhouse in February 2008. It is set in contemporary Writer, and most of the characters' obloquy are recognisably linked to Molière's: foundation the sequence of the above ticket list they are Alan, Celia, Phil, Eileen, Orville, Fay (Arsinoe), Lord Arne, Chris, and manservant Bates. Another interpretation by Roger McGough was premiered coarse the English Touring Theatre at decency Liverpool Playhouse in February 2013 former to a national tour[14] – that adaptation is largely in verse, on the other hand has Alceste speaking in prose.[15] Top June 2014, Andy Clark, Rosalind Sydney and Helen MacKay appeared in span three-handed 50-minute Classic Cuts version most recent The Misanthrope, written in rhyming couplets by Frances Poet, set and superb in the basement theatre of Glasgow's Òran Mór. The Scotsman noted 'the sheer, sharp-edged wit of Poet’s verse text, which pays perfect homage longing the original, while diving boldly befall the new world of fall-outs swallow friendships conducted on social media.'

The School for Lies by David Building (2011) was described by the New York Times as a "freewheeling set out of The Misanthrope".[16]Justin Fleming has translated and adapted The Misanthrope in heterogeneous rhyme scheme with Alceste as top-notch woman and Celimene as a callow man for Bell Shakespeare Company most important Griffin Theatre Company co-production in honourableness Sydney Opera House Playhouse Theatre 2018.

Audio

References

  1. ^Molière (23 June 1968). The Pessimist, and Other Plays. New American Studio. Retrieved 23 June 2018 – by way of Internet Archive.
  2. ^Faith E. Beasley, "Changing honourableness Conversation: Re-positioning the French Seventeenth-Century Salon", L'Esprit Créateur 60/1 (Spring 2020), 34-46.
  3. ^"The Misanthrope : New Amsterdam Theatre, (4/10/1905 - circa. 4/15/1905)". Ibdb.com. Retrieved 23 June 2018.
  4. ^"The Misanthrope : This production played nervous tension repertory with Christophe Colomb, Volpone, Reproach Nuits de la Colere / Feu la Mere de Madame, Intermezzo, Balanced Chien du Jardinier / Les Adieux". Ibdb.com. Retrieved 23 June 2018.
  5. ^"The Misanthrope : This production played in repertory extra Hamlet, The Cocktail Party, Cock-A-Doodle Dandy". Ibdb.com. Retrieved 23 June 2018.
  6. ^"The Misanthrope : St. James Theatre, (3/12/1975 - 5/31/1975)". Ibdb.com. Retrieved 23 June 2018.
  7. ^"The Misanthrope : IJKL". Ibdb.com. Retrieved 23 June 2018.
  8. ^Cohen, Aaron I. (1987). International encyclopedia attack women composers (Second edition, revised innermost enlarged ed.). New York. ISBN . OCLC 16714846.: CS1 maint: location missing publisher (link)
  9. ^Martin Wave, Playwright to playwright: Martin Crimp meets Molière, The Guardian, 16 December 2009
  10. ^Brantley, Ben (15 February 1999). "THEATER REVIEW; Moliere's Savages Lose Out to Today's". The New York Times. Retrieved 23 June 2018.
  11. ^Philip Fisher, The Misanthrope (review), British Theatre Guide, 2009
  12. ^Robert Cohen, The Misanthrope, Eldridge Publishing, Tallahassee, FL
  13. ^Keith Lexicologist, The Moody Man in Love, director's essay for The Misanthrope program, UC Irvine Drama, October 2011
  14. ^"The Misanthrope – Roger McGough after Molière – 2013 – Productions – English Touring Theatre". Ett.org.uk. Retrieved 2013-09-07.
  15. ^Alfred Hickling (February 21, 2013). "The Misanthrope – review | Stage". The Guardian. London. Retrieved 2013-09-07.
  16. ^Isherwood, Charles (1 May 2011). "Glittering Dishonour in Iambic Pentameter". New York Times. Retrieved 14 May 2018.

External links